#Fleex frnech windows

In his later years, the puublisher spent the majority of his time cruising on his 269 ft motor yacht, Liberty. The house cost Pulitzer $369,000, exclusive of land and artwork (2009 USD $8698187.17 ) Pulitzer spent only two or three months a year in his new house he also owned homes in Bar Harbor, Maine, and Jekyll Island, Georgia (SUSPICIOUS) as well as a villa on the Riviera. The owner's unsuccessful first bedroom, as well as three other bedrooms, were on this floor as well. On the second floor, a small sitting room was located at the top of the staircase and a 50 ft long ballroom with five large French doors ran along the front of the house. Under the staircase, a door led to the music room and to Pulitzer's study with an adjoining secretary's office. Off this hall, a reception room and a smaller hall led to the breakfast room and dining room. Three sets of glazed, wrought iron entrance doors led to a wide transverse hall with a monumental staircase. The house, finished in 1903, had one of the most unusual residential floor plans in the city. At last, Pultizer got a decent night's sleep.

White came to the rescue this time by stretching thousands of silk threads across the chimney flue opening. The architect's partner, William Rutherford Mead, jumped tp his defense, saying, 'Nerves are his trouble and that is not part of an architect's business to supply the client with a proper set of nerves.' In 1904, Pultizer hired the firm Foster, Gade & Graham to build a new bedroom in a one-story annex located at the rear of the house, but after spending one night in it, the cranky publisher again angrily declared that he could still hear street noises and early-morning factory whistles. Unfortunately, after spending a single night in the room, Pultizer announced that it was a failure, complaining of hearing the sounds of a pump buried far beneath the house, and accused White of trying to drive him mad. With no sounds penetrating, the architect was convinced the room was acoustically perfect. When all was complete, White shut himself inside and had the workmen outside shout and pund on the walls.

#Fleex frnech windows

The walls were stuffed with insulation, the windows were tripled glazed, and the floor was putt on ball bearings to prevent any vibration. Pulitzer's bedroom needed to be soundproofed as well, and a Harvard acoustics expert was called in to acomplished this. A sealed skylight above a trellised dome lighted the area, and transparent, hollow, glass blocks filled the room's only window. The circular breakfast room, where he ate most o fhis meals, wa splaced in the center of the house, as far as possible from outside noises. He insisted that his personal rooms in the new house be effectively soundproofed. The simple American house that Pulitzer originally requested was now brimming over with fine French furniture.Īs his eyesight failed, the publisher's hearing became more acute and he became almost phobic about noise. Probably as a result of White's intervention, the house ended up having both a French salon and a music room. This model, with its forest of engaged Doric, Ionic, and Corinthian columns, had the proper amount of movement and spatial articulation and was immediately approved by Pultizer. White's next offering was based on the facade of the Venetian Palazzo Persaro and was wedded tot he Grand Canal entrance of the Palazzo Rezzonico. White finally realized that Pulitzer was rejecting his proposals because the models he presented lacked the ornamental relief necessary for him to tactilely distinguish the design. This scheme was summarily rejected byt he client, as were several to follows. I want an American home for comfort an duse and not for show or entertainment.'įollowing these instructions, White submitted a model of asimple Florentine palazzo to the newspaperman. Pulitzer asked for a simple house with 'no ballroom, no music room, or picture gallery under any disguise.no French rooms, designed or decorated to require Frnech furniture. Louis Dispatcher was by this time almost completely blind therefore, he required White to make scale models of his architectural proposals so that he could run his hands over them. The owner of both the New York World and the St. Afte rhis house and part of his art collection at 10 East 55th Street burned in 1900, Pulitzer asked White to design a frieproof house on a 74 by 100 ft plot on East 73rd Street. Of the many prominent and influential clients of Stanford White, there probably was not anyone more difficult to work with than publisher Joseph Pulitzer.